Ramsay recently joined the voice faculty of DePaul University School of Music in Chicago as a professor of voice. 9 (American Symphony Orchestra, Albany Symphony, Jacksonville Symphony, Pasadena Symphony, Pacific Symphony, West Virginia Symphony) Handel’s Messiah (Nashville Symphony, Pacific Symphony, Charleston Symphony) and Richard Danielpour’s An American Requiem (Bel Canto Chorus). Ramsay's numerous symphonic engagements have included Tchaikovsky’s Francesca da Rimini and Tippett’s A Child of Our Time (Chicago Symphony Orchestra at Symphony Hall and Ravinia) Verdi’s Requiem (Toronto Symphony Orchestra, Rochester Philharmonic, Greenville Symphony, Apollo Chorus, Berkshire Choral Festival, Louisville Orchestra) Orff’s Carmina Burana (Minnesota Orchestra, Berkshire Choral Festival) Henze’s Kammermusik 1958 with the St. Operatic highlights include Edgardo/ Lucia di Lammermoor, Mark/The Midsummer Marriage, Mitch/ A Streetcar Named Desire and the Painter/Sailor in Lulu all at Lyric Opera of Chicago Nemorino in L’elisir d’amore at Michigan Opera Theater Lenski/ Eugene Onegin at Madison Opera Tamino/ Die Zauberflöte and Ferrando/ Così fan tutte and Jupiter/ Semele at Arizona Opera, Riccardo/ Un Ballo in Maschera with the Boston Youth Symphony, Narraboth/ Salome with the Detroit Symphony and Wilhelm Dantine in Phillip Glass’ A Perfect American in a co-production at Chicago Opera Theater and Long Beach Opera. Following his portrayal of Edgardo in Lucia di Lammermoor at the Lyric Opera of Chicago, the Chicago Sun-Times proclaimed ' He brought a passionate intensity to the role that matched the fire of Natalie Dessay's riveting Lucia.' Praised by Anthony Tommasini of the New York Times for his “ impressive bright-voiced tenor”, Scott Ramsay is highly regarded by Opera companies and Symphony Orchestras across North America and abroad.

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